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Baipás, the play that will reignite the George Street Playhouse season, is, in theatrical parlance, a “two-hander,” which means that it has two characters.
But that’s only partly true. There are only two actors, but, without saying a word, the audience in this play by Jacobo Morales, plays a role—in fact, multiple roles—that are important to the story.
published on 03/01/2022
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A fine line separates farce from chaos.
If you have seen an amateur production of Noises Off, you may have seen chaos.
If you see the George Street Playhouse production of It’s Only a Play, you will see farce, and farce well done.
published on 12/07/2021
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A critic once complimented Doug Harris, who has a principal role in the new George Street Playhouse production of It’s Only a Play, for his “smooth charm.”
Harris figures that critic “must have been allowed to drink inside the theater.”
published on 11/28/2021
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You can see Ken Ludwig’s play “Dear Jack, Dear Louise” at the George Street Playhouse, laugh and cry and marvel at two tour-de-force performances, or you can wait till spring and pay gas, tolls, parking and New York ticket prices to see the same play on Broadway.
It’s up to you, but you’ve got only until Nov. 21 to decide; that’s when this romantic comedy wraps up its run at the New Brunswick theater.
published on 10/30/2021
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Amelia Pedlow has looked at life from both sides now, and that includes Ken Ludwig’s play, “Dear Jack, Dear Louise,” in which she is costarring with Bill Army.
This two-hander, based on the real-life experience of Ludwig’s parents, began in previews on October 26 and opens officially on Friday, October 29, 2021.
published on 10/27/2021
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“There’s no people like show people,” according to the Irving Berlin lyric, and that notion is at the heart of the final production in the George Street Playhouse pandemic season—Terrence McNally’s “It’s Only a Play.”
published on 06/14/2021
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You want to see Tiny Beautiful Things, the play now being streamed by the George Street Playhouse. You do.
You want to see it for several reasons, and they comprise pretty much everything about the play: the work itself, the actors, their performances, the setting, and the manner in which the drama is presented under the direction of David Saint.
published on 05/08/2021
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The last thing Cheryl Strayed needed was an unpaid gig writing an online advice column—what with her penurious spouse, their bills, their kids, and the book she was trying to finish. So when a friend who had been writing the column asked her to take it on, naturally she agreed.
published on 05/03/2021
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Five people in a basement may not seem like the makings of a professional performance of a play, but this is the pandemic era.
Those five and that basement were what it took to produce the George Street Playhouse virtual presentation of Becky Mode’s comedy “Fully Committed,” starring Maulik Pancholy.
published on 03/22/2021
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Andrèa Burns sums up what she has just done by paraphrasing a Stephen Sondheim lyric: “We made a hat where there never was a hat.”
By that, she means that she and the George Street Playhouse team have created a show for a pandemic audience in a form that has few if any precedents and no real definition.
published on 02/22/2021
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Since 1789, there have been 1,984 U.S. Senators; only 57 have been women.
As late as 1949, Margaret Chase Smith—a Maine Republican—became only the seventh female member; but she made enough of a splash to inspire Joe DiPietro’s new play, “Conscience,” which will have its world premiere at the George Street Playhouse in New Brunswick March 3 through March 29.
published on 02/24/2020
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“Midwives” is a story with a sharp knife, lots of blood, a death, and a criminal trial—but no villain.
Chris Bohjalian’s play, in its world premiere at the George Street Playhouse in New Brunswick through February 16, is not about evildoers but rather about a woman going about her business when something goes off the rails.
published on 01/20/2020
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Fewer than one in a hundred babies in the United States is born at home, and such a birth is the basis for “Midwives,” Chris Bohjalian’s play that will have its world premier this month at the George Street Playhouse in New Brunswick.
published on 12/28/2019
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If you’re Lainie Kazan and your voice deserts you hours before a singing gig, who you gonna call?
For Kazan, who recently had such a crisis, the answer was Renée Taylor, the actress-writer who is bringing her one-woman show, “My Life on a Diet,” to the George Street Playhouse from November 19 through December 15.
published on 11/13/2019
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When Steve Kluger was pitching his novel “Last Days of Summer” in the 1990s, nobody was interested.
But Kluger persisted, the novel became a best-seller, and, two decades later, it is still popular. And, it is the basis for the musical play chosen by the George Street Playhouse to open its first season in its new home, the New Brunswick Performing Arts Center.
published on 10/10/2019
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Historical events always consist of much more than is on the surface.
No matter how complex the public image of the event—the civil rights movement of the 1960s, say—the image is incomplete without the stories of countless individuals who contributed to the event and were affected by it.
This reality underlies Jiréh Breon Holder’s play “Too Heavy for Your Pocket” which will be presented at the George Street Playhouse April 23 through May 19.
published on 04/20/2019
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Mention of the immigration of the early 20th century evokes images of the “wretched refuse” floating into New York Harbor and washing up on Ellis Island.
But not all of “your tired, your poor” landed in New York, and we learn about one of the exceptions in Mark Harelik’s play “The Immigrant,” on stage at the George Street Playhouse in New Brunswick from March 12 through April 7.
published on 03/10/2019
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This might be the right time for Nina Simone—15 years after her death. That’s what Laiona Michelle thinks, and, in a way, Michelle will be testing that idea by bringing the singer-activist to life in a world-premiere musical show at George Street Playhouse.
Michelle wrote the show—“Little Girl Blue: The Nina Simone Musical”—and she will appear in the title role at the New Brunswick theater from January 29 through February 24.
published on 01/19/2019
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Betsy Aidem has seen the stage from both sides now.
An award-winning actress, Aidem is taking her first professional turn as a director, guiding the George Street Playhouse production of Lucas Hnath’s comedy “A Doll’s House, Part 2.”
published on 11/19/2018
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The political climate in the United States—with its right and left, red and blue, conservative and liberal—prompts this question: Is reconciliation possible?
published on 10/09/2018
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If acting were to come naturally to anyone, it would come to Talia Balsam.
Balsam, who will appear in a reading of Eugene Pack’s play “Night with Oscar” on June 8 at the George Street Playhouse in New Brunswick, is the daughter of two very successful actors—the late Oscar winner Martin Balsam and Joyce Van Patten.
published on 05/30/2018
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Before there was “American Idol” there was “Star Search,” and before there was Carrie Underwood there was Kevin Cahoon.
published on 05/04/2018
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It’s a long way from Saskatoon to Georgetown, and that doesn’t mean only 1600 miles as the crow flies.
published on 03/26/2018
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Dating and wedding are among the most fraught rituals human beings engage in—and among the funniest to watch.
published on 10/04/2017
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There was a time when Sarah Lee Guthrie was a shy figure on a stage—avoiding eye contact with the audience as she sang and strummed Pete Seeger’s “Sailing Down My Golden River.”
There will be none of that reticence when the folk artist—now seasoned and poised—makes two appearances in New Jersey this month.
published on 07/11/2017
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What does a single woman “of a certain age” need most?
Not so fast! The answer may not be the obvious—at least, that’s the premise of “Curvy Widow,” Bobby Goldman’s autobiographical musical play, at George Street Playhouse in New Brunswick from May 2 through May 21. Highly-regarded singing actress Nancy Opel appears in the title role.
published on 04/28/2017
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(NEW BRUNSWICK, N.J.) An appreciative critic referred to the humor in Joshua Harmon’s play “Bad Jews” as “savage.”
published on 03/17/2017