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It’s A to Z: The Art of Arleen Schloss New Jersey Film Festival Filmmaker Video Interview


By Vic Fern

originally published: 01/26/2025

Al Nigrin, Executive Director and Curator of the New Jersey Film Festival, sits down with Stuart Ginsberg, Director of It's A to Z: The Art of Arleen Schloss, for a filmmaker video interview at EBTV.

It’s A To Z: The Art of Arleen Schloss screens alongside Martin Gerigk's animated film Demi-Demons at the Spring 2025 New Jersey Film Festival on Friday, January 31.  The film will be Online for 24 Hours and In-Person at 7 PM in Voorhees Hall #105/Rutgers University, 71 Hamilton Street, New Brunswick, NJ. Tickets are available for purchase here: https://watch.eventive.org/newjerseyfilmfestivalspring2025/play/670d21c9513952002cfa9bf4



Demi-Demons – Martin Gerigk (Krefeld, Germany)
 
Demi-Demons is an essay film about the contradictions of contemporary existence, which separate us from our natural instincts, opening abysses within us. The glorification of the hermaphrodite, the hedonism of virtual realities, the search for new levels of physical attraction and forms of higher consciousness, ambivalence towards sexual reproduction, these abysses embody the existential struggles inherent in navigating the terrain between instinct and enlightenment in a rapidly evolving world. Demi-Demons is made and animated from vintage photos and collages, creating a surreal and thought-provoking atmosphere. 2024; 17 min.



IT’S A to Z: The ART OF ARLEEN SCHLOSS – Stuart Ginsberg (Bloomfield, New Jersey) IT’S A to Z: The ART OF ARLEEN SCHLOSS is a feature-length documentary about Arleen Schloss, an underground artist, director, and curator who became an influential figure in the downtown New York art scene from the 1970s through the 1990s. Through exclusive never-before-seen archival footage shot by Schloss herself and mixed with commentary from people from the scene, we trace Schloss’s story and see, from her point of view, we see the texture of New York City's downtown art scene from the 1970s through the 1990s.2024; 62 min.




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The 43rd Bi-Annual New Jersey Film Festival will be taking place on select Fridays, Saturdays, and Sundays between January 24-February 21, 2025. The Festival will be a hybrid one as it will be presented online as well as doing in-person screenings at Rutgers University. All the films will be available virtually via Video on Demand for 24 hours on their show date. VoD start times are at 12 Midnight Eastern USA. Each General Admission Ticket or Festival Pass purchased is good for both the virtual and the in-person screenings. Plus, acclaimed singer-songwriter Renee Maskin will be doing an audio-visual concert on Friday, February 21 at 7PM! The in-person screenings and the Renee Maskin concert will be held in Voorhees Hall #105/Rutgers University, 71 Hamilton Street, New Brunswick, NJ beginning at 5PM or 7PM on their show date. General Admission Ticket=$15 Per Program; Festival All Access Pass=$100; In-Person Only Student Ticket=$10 Per Program. 

For more info go here: https://newjerseyfilmfestivalspring2025.eventive.org/welcome

 

FEATURED EVENTS

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New

New Jersey Film Festival: IT’S A to Z: The ART OF ARLEEN SCHLOSS & Demi-Demons

Friday, January 31, 2025 @ 7:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film

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New

New Jersey Film Festival: The Accidental Spy

Saturday, February 01, 2025 @ 5:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film

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New

New Jersey Film Festival: Shorts Program #2 - The Hollowing, Brooklyn, Disoriented, Phantom Limb, Help Yourself, Dinner at Manny’s

Saturday, February 01, 2025 @ 7:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film

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New

New Jersey Film Festival: No Somos Maquinas: We Are Not Machines

Sunday, February 02, 2025 @ 5:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film

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New

New Jersey Film Festival: God Teeth & The Traumatist

Friday, February 07, 2025 @ 7:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film


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EVENT PREVIEWS

Immersive

Immersive The Hollowing screens at the 2025 New Jersey Film Festival on February 1st!

The Hollowing, directed by Steven Weinzierl, follows a couple as they try an experimental therapy to test the compatibility of their relationship. They are placed into a sleep state and are put into a false reality together. This dream-like version of their life showcases the mundane, everyday scenarios of a relationship to the more supernatural and grotesque elements that are unearthed by this therapy. It starts off with relatable feelings of relationship trouble while introducing and building up who the characters are and their relationship to each other, before taking dramatic turns and heightening the stakes of the relationship between the two as the therapy procedure continues. The film plays with the line between reality and dream in a way that is both noticeable and unnoticeable, creating a sense of suspense that is only heightened by the events unfolding onscreen. The film also showcases stellar cinematography and lighting that make the false reality just as immersive for the audience as it is for the characters.



Emotive

Emotive short Phantom Limb plays at the New Jersey Film Festival on February 1!

Alice Jokela’s Phantom Limb is an experimental short film that immerses the audience in the emotional journey of navigating trauma and the search for autonomy. The short film centers on Violetta (Shay Yu), a young woman who lost her right arm in an electrical shock accident while tagging in an underground railroad with her boyfriend. With her body forever altered, Vi wrestles to build a sense of identity while coping with the emotional impact of her trauma. In an interview with The New Jersey Film Festival, Jokela expressed her intention to create a film focused on female rage and the overt trauma that often goes overlooked or misunderstood because of the internal, invisible nature of pain. This is reflected in the short film, as those around Vi misperceive her emotional scars. Vi’s story emphasizes how internal trauma can be complex for others to recognize, especially when it’s not immediately visible.



Two

Two riveting shorts The Hollowing and Brooklyn screen at the New Jersey Film Festival on February 1!

How a filmmaker utilizes certain filmmaking techniques holds the power to change the film in immeasurable ways. Achieving the best look and flow of the film requires evaluating things such as lighting, color, and composition and determining how they can be applied. The outcome of these evaluations is a carefully articulated and well-done film that crafts an interesting narrative told not just through storytelling but through every part of the film. Two examples of this are The Hollowing, by Steve Weinzierl, and Brooklyn, by Timur Guseynov, both films that tell their stories well through various cinematography and filmmaking language techniques such as color, lighting, and frame composition.



Timely

Timely Documentary We Are Not Machines screens at the New Jersey Film Festival on February 2!

Although the necessity for the film is troubling, the people followed throughout We Are Not Machines (No Somos Máquinas) turn a horrible situation into fuel for reconstruction, choosing to fight with passion and determination against the system that affects them rather than passively falling victim to it.



Insightful

Insightful documentary The Accidental Spy screens at the New Jersey Film Festival on February 1

“Did you ever think, Blerim, that you were going to be a spy?” “Never in my life.” “So you didn’t train to be a spy?” “No, never.” “So it was just by accident?” “By accident, yes.” These are the opening words of The Accidental Spy - a documentary directed by Oscar-nominated, double EMMY and triple BAFTA-winning director and producer Anthony Wonke. Wonke has extensive experience working in the Middle East, having made several films in and about the region such as Syria: Children on the Frontline (2014) and The Battle for Marjah (2010). You can see his extensive experience in the way he sets up Blerim Skoro’s story - the main figure behind The Accidental Spy.