New Jersey Stage logo
New Jersey Stage Menu


Cléa Elisa van der Grijn’s Fever Dream Feature The Disembodied Adventures of Alice screens at the Spring 2024 New Jersey Film Festival on Friday, February 2


By Evelyn Reese

originally published: 01/27/2024



Adapting a story from one already familiar to most and twisting it into a creation completely unique is a mark of a true creator. The Disembodied Adventures of Alice by Cléa Elisa van der Grijn is an experience unlike the original fairytale. The dissociative nature of the protagonist coupled with the ambiguous and evasive motives of the interacting characters takes the viewer down an equally comforting and eerie descent.

Watching the film feels like a fever dream. This is accomplished through incredible performances as well as outstanding editing. From shot to shot, the camera is filled with murky colors, directly opposing the initial innocence given off by the protagonist. This was a choice perfectly made to set the disingenuous scene. Supporting this was the presence of noise and other times, lack thereof. A loud clang can be just as impactful as a vat of silence filling a room. van der Grijn understands this balance perfectly, as represented throughout the film, blanketing certain shots with subtle music, cascading others in quiet muteness, and contrasting said quiet with loud, sudden sounds. Each choice was beautifully intentional and aided in keeping the audience trapped in the story.

Paramount to a wonderful film is that of a talented cast. The cast of this film is no short of wonder. Each actor perfectly embodied the madness that is laced in each scene. Ranging from despair to rage to pure, unbridled hysteria, the performers were as bold as a shot of whiskey. Their drunken composure in comparison with their seemingly well lived wisdom produces a captivating history that begs to be delved into. Though they experience and express a very wide range of emotions in such little time, if there is one feeling that seems to be left untouched, it is that of shame. No matter the action or behavior, each of the interacting characters emotes unapologetically, adding to their whimsical mystique. This quality helps the audience understand why the protagonist fell so easily into the entrancing trap, perhaps making them want to slip in as well. Part of the allure of the interacting characters are their opaque and clearly articulated styles. While some looks seemed a tad wild or taboo, they were worn with the utmost repose, a true testament to the connection made between performer and character. This sense of self and confidence is intriguing to both the audience and the protagonist, though it also subtly adds to the alienation of the main character.

It is clear through the unraveling of the story that she feels out of place and is in search of a home for herself, not just a bed to sleep in but a people to be a part of. This particular group being so set in their places creates an unsettled air for the protagonist though it is initially sensed as interest, leading her to sit down at the table. When confrontation presents itself, the uneasy tone can be felt clearly by the audience through the combination of presentation of noise, actors’ performances, costuming and lighting. This well put together orchestra of unhinged melody is truly a beautiful accomplishment on van der Grijn’s part.

There is no lull with this film, the ending is as captivating and all consuming as the beginning. It isn’t a surface level creation, in fact it is the opposite. This film provokes deep thought and response from its audience, taking them down a true rabbit hole of struggle, love, pain, learning, healing, consciousness, breaking points and so much more.  This eccentric ensemble of bizarre relations derived from classic literature yet so dramatically reimagined by Cléa Elisa van der Grijn is a true escape from reality for 1 hour, 18 minutes and 28 seconds, and a must watch film.




Advertise with NJ Stage for $50-$100 per month, click here for info



The Disembodied Adventures of Alice screens at the Spring 2024 New Jersey Film Festival on Friday, February 2, 2024 – Online for 24 Hours and In-Person at 7PM! in Voorhees Hall #105/Rutgers University, 71 Hamilton Street, New Brunswick, NJ. The Disembodied Adventures of Alice Director Cléa Elisa van der Grijn and DP Ciaran Carty will be on hand to do a Q+A after the In-Person screening! For more info and tickets go here.

 




Advertise with NJ Stage for $50-$100 per month, click here for info


FEATURED EVENTS

To narrow results by date range, categories,
or region of New Jersey
click here for our advanced search.


New

New Jersey Film Festival: IT’S A to Z: The ART OF ARLEEN SCHLOSS & Demi-Demons

Friday, January 31, 2025 @ 7:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film


 

New

New Jersey Film Festival: The Accidental Spy

Saturday, February 01, 2025 @ 5:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film


 

New

New Jersey Film Festival: Shorts Program #2 - The Hollowing, Brooklyn, Disoriented, Phantom Limb, Help Yourself, Dinner at Manny’s

Saturday, February 01, 2025 @ 7:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film


 

New

New Jersey Film Festival: No Somos Maquinas: We Are Not Machines

Sunday, February 02, 2025 @ 5:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film


 

New

New Jersey Film Festival: God Teeth & The Traumatist

Friday, February 07, 2025 @ 7:00pm
NJ Film Festival
71 Hamilton Street, New Brunswick, NJ 08901
category: film


 



Advertise with NJ Stage for $50-$100 per month, click here for info




EVENT PREVIEWS

Amazing

Amazing Feature God Teeth screens at the New Jersey Film Festival on February 7!

For many, the process of finding footage online and crafting a well-thought-out plot and connection between these shots may seem incredibly daunting and time-consuming. For musician and filmmaker Robbie C. Williamson, it is an exciting opportunity to craft something extremely unique and intriguing. Williamson’s found footage film God Teeth represents this excitement and exemplifies the exceptional results of his long-term efforts and passion for storytelling.



Immersive

Immersive The Hollowing screens at the 2025 New Jersey Film Festival on February 1st!

The Hollowing, directed by Steven Weinzierl, follows a couple as they try an experimental therapy to test the compatibility of their relationship. They are placed into a sleep state and are put into a false reality together. This dream-like version of their life showcases the mundane, everyday scenarios of a relationship to the more supernatural and grotesque elements that are unearthed by this therapy. It starts off with relatable feelings of relationship trouble while introducing and building up who the characters are and their relationship to each other, before taking dramatic turns and heightening the stakes of the relationship between the two as the therapy procedure continues. The film plays with the line between reality and dream in a way that is both noticeable and unnoticeable, creating a sense of suspense that is only heightened by the events unfolding onscreen. The film also showcases stellar cinematography and lighting that make the false reality just as immersive for the audience as it is for the characters.



Emotive

Emotive short Phantom Limb plays at the New Jersey Film Festival on February 1!

Alice Jokela’s Phantom Limb is an experimental short film that immerses the audience in the emotional journey of navigating trauma and the search for autonomy. The short film centers on Violetta (Shay Yu), a young woman who lost her right arm in an electrical shock accident while tagging in an underground railroad with her boyfriend. With her body forever altered, Vi wrestles to build a sense of identity while coping with the emotional impact of her trauma. In an interview with The New Jersey Film Festival, Jokela expressed her intention to create a film focused on female rage and the overt trauma that often goes overlooked or misunderstood because of the internal, invisible nature of pain. This is reflected in the short film, as those around Vi misperceive her emotional scars. Vi’s story emphasizes how internal trauma can be complex for others to recognize, especially when it’s not immediately visible.



Two

Two riveting shorts The Hollowing and Brooklyn screen at the New Jersey Film Festival on February 1!

How a filmmaker utilizes certain filmmaking techniques holds the power to change the film in immeasurable ways. Achieving the best look and flow of the film requires evaluating things such as lighting, color, and composition and determining how they can be applied. The outcome of these evaluations is a carefully articulated and well-done film that crafts an interesting narrative told not just through storytelling but through every part of the film. Two examples of this are The Hollowing, by Steve Weinzierl, and Brooklyn, by Timur Guseynov, both films that tell their stories well through various cinematography and filmmaking language techniques such as color, lighting, and frame composition.



It’s

It’s A to Z: The Art of Arleen Schloss New Jersey Film Festival Filmmaker Video Interview

Al Nigrin, Executive Director and Curator of the New Jersey Film Festival, sits down with Stuart Ginsberg, Director of It's A to Z: The Art of Arleen Schloss, for a filmmaker video interview at EBTV.