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We are always being watched, always being seen, always looking. But where are we? Who are we looking at? What are we seeing? Is it all a dream? Who’s dream is it? ‘Bottom feeders’ are the lowest form of species on the pyramid at the bottom of the deep, dark, and unexplored sea. Sometimes, if you pay attention, ‘bottom feeders’ take shape in the lowest form of human beings at the bottom of the deep, dark, and unexplored subconscious. Bottom Feeder is a black and white experimental film, shot on 16mm film in a square 4x3 format. Vito Trabucco is a Los Angeles based filmmaker, is known for his award-winning films Charlie Christ (2024), Britney Lost Her Phone (2023), and Kevin Can Wait (2020). In Bottom Feeders, Trabucco brings you on a dream-like journey with a woman, the aptly named Pageant (an uncommon name historically associated with theatrical spectacles), who by way of nature, explores her own dream and the meanings behind her visions, both in her head and what she sees. A front door, fractured. A home, for whom? A doll, draped in desire. A sunset, alone but for how long? A reflection, a gaze. A location, unknown
