Say I’m crazy, but my kitchen can opener whirrs to Bb and might change pitches with each new can. My Betty Crocker blender is a more independent and versatile player in that it whirrs in several keys. My Epson printer emits vocal tones and word phrases with each new document it prints. And don’t get me started on my auto windshield wipers which have kept me in the creative flow as well as the traffic flow through many long rides home from gigs.
Music has been my saving grace, the thread running through every aspect of my challenging life. I learned to reframe what might be scary, boring and annoying. We are all Powerful with a capitol P when we use the enormous potential of our minds. And the reframe, with or without music, along with creative visualizing is a multipurpose tool.
I’ll never forget a reframe I created in 1993, the year the Celestine Prophecy by James Redfield was the book to read for anyone big into a spiritual journey or just curious to find out what was it that could keep a book on the bestseller list for 165 weeks!
I was on a 300 mile, five-hour trip home to Matawan from Utica, NY. It rained all the way. Looking back, I’m fortunate I made it home alive, for I was hypnotized by the rain and the windshield wipers. Both spoke to me and managed my creative flow. During that non-stop trip I spontaneously “wrote” in my head an entire “Broadway” show with six songs based on Redfield’s book. It was “Celestine Prophecy the Musical.” The ideas just poured out of me as powerful as the driving rain; lyrics, melodies and storyline. I think an experience like that is called a miracle. (It doesn’t matter if it wasn’t good. It got me home!)
In no time, I was back in my driveway. It seemed like I was only on the road for an hour! The unconscious mind is a funny thing. I’m a clinical hypnotist and I know that in a very relaxed state dramatic time distortion can occur. And people unknowingly, drive while hypnotized every day. My conscious mind re-engaged as I turned off the engine, and the entire musical---book and songs were lost. That was my first and last composition for the musical theater! And it taught me to always carry a recording device to capture my ideas.
At the hospital recently, I took advantage of my knack for finding music in everything to keep me calm in the MRI tube. I had many MRIs in the past, so I knew what to expect. Focusing on making music would take me away from the close quarters and the clanging and banging of the machine. The technicians always offer headphones and your favorite music radio station, but I’ve learned the sound you’ll get is mostly static, and static is, to me, more upsetting than the noise of the machine. Reframe to the rescue!
I closed my eyes and took myself to a music hall where a large salsa orchestra was playing. I was at the imaginary WBGO FM radio Latin Jazz Cruise. Listening to the clang and bang I found rhythm that would take me away from the reality that I was in an MRI tube for which I was too wide! As I recognized the repeating patterns of clangs and bangs, they became percussion instruments and exotic sounding drums and cymbals. As rhythms changed, my melodies changed. The tube was my playground for 35 minutes.
Composers and songwriters have always been inspired by sounds and sights in nature and experiences of everyday life. As for me, I feel a kinship with the great violinist Itzhak Perlman who found he could make music with his VitaMix blender. Enjoy here his video performance on blender filmed in his kitchen.
Join us for McCarter at the Museum - renowned performing artists in one-night only events at the Princeton University Art Museum.
Jason Robert Brown is a four-time Tony Award-winning composer and lyricist of The Last Five Years, Parade, Songs for a New World, 13, The Bridges of Madison County, Honeymoon In Vegas and The Connector, has performed as a soloist or with his band in venues around the world, including sold-out shows at the London Palladium and Carnegie Hall. His albums as a singer-songwriter include Wearing Someone Else’s Clothes and How We React and How We Recover on Ghostlight, and Coming From Inside the House and Live In Concert with Stephen Sondheim on Concord.
With Special Guest Tony nominee Betsy Wolfe. Tony Award-nominated actress Betsy Wolfe is currently starring as Audrey in the acclaimed Off-Broadway production of Little Shop of Horrors, following her recent Broadway run as Madeline Ashton in the hit musical Death Becomes Her. She previously originated the title role in Joy, the new musical inspired by inventor Joy Mangano, and earned a 2023 Tony Award nomination for Best Featured Actress in a Musical for her celebrated performance as Anne Hathaway in & Juliet. Other Broadway credits include starring as Jenna in Waitress, Cordelia in the acclaimed revival of Falsettos, Bullets Over Broadway, The Mystery of Edwin Drood, Everyday Rapture, and 110 in the Shade, as well as her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years. Wolfe made her Metropolitan Opera debut in Die Fledermaus and has appeared as a guest artist with more than 65 symphony, pops, and philharmonic orchestras worldwide, including the New York Philharmonic and BBC Symphony Orchestra, with performances at Carnegie Hall and the Kennedy Center. Her screen credits include First One In, Estella Scrooge, CBS’s Instinct, and the film adaptation of The Last Five Years. Wolfe is also the co-founder of BroadwayEvolved, the acclaimed musical theatre training program she launched in 2018 to train and mentor the next generation of theatre artists.
A limited number of early access tickets for McCarter Director’s Circle members and members of the Museum’s Partner Circle are available, on sale Wednesday, September 16, 2026 at 12:00 PM. General public on sale begins Friday, September 18, 2026 at 12:00 PM.
Please be aware there is no public drop-off or parking at the Museum. For visitors with mobility needs, please contact the Museum at least three business days in advance of your visit to request special access to the Museum via Elm Drive. Call 609-258-3788 and select option 1 to speak to a visitor services staff member, or email Louise Barrett at [email protected].
