(LONG BRANCH, NJ) -- From the opening conversation, it's clear "Apostacy" won't be your typical mother/daughter play. After all, how often do you see conversations starting off with the mother doing a hit of medicinal marijuana? And then offering her daughter the pipe while the two discuss her recent dating nightmare?
Rachel Gold (the daughter of Sheila Gold) is taking care of her mother at a hospice. Rachel works at Planned Parenthood and recently had a scare when her name showed up on an anti-abortion website. Her mother was an extremely successful business woman who sold her business when it became clear that Rachel didn’t want to take it over.
“What the hell is in this weed?” exclaims Rachel after her mother unleases the bombshell that forms a major part in the play’s plot - her mother considering converting to Christianity from Judaism. Apparently she found salvation one night when she couldn’t sleep and found an evangelist (Dr. Julius Strong) on television. The mother was taken in by the preacher so much that she is planning to make an extremely large donation to his ministry. The catch was that she wanted to meet him before she would make the donation. Meanwhile, she hasn’t told her daughter about her plans at all.
Sure enough, Dr. Julius Strong pays her a visit and instantly lifts her spirits leading up to a hilarious scene involving a dying cancer patient and an Evangelist dancing and singing to “Mony, Mony”.
Sheila tells the preacher how everybody in the hospice has given up hope. “Some of us just give up slower than others, I guess.”
The preacher tries to explain how she should put her life in Christ. As he’s talking to her, she looks up to him and says, “You’re always on, aren’t you?” He later proves her right when he presents a brilliantly executed sermon about Chicken McNuggets.
She may be having trouble taking Christ into her heart, but doesn’t have any trouble bringing the preacher into her bed. Ironically, the pair give each other just what they need to survive - so much so, that the preacher asks her to move across country and live with him. Thus begins the conflict between mother and daughter and the daughter versus the preacher with the battle for her spiritual being and millions of dollars caught in between.
There is much more than could be said about this play, but I think you should simply head to the theatre and see how it twists and turns for yourself.
Playwright Gino Dilorio has done an amazing job of presenting religion with a nice blend of faith and cynicism. This production is full of outstanding performances, surprise twists, and will keep you riveted from start to its amazing finish.
You can catch Apostacy from now through August 13th at NJ Repertory Theatre in Long Branch, New Jersey.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
