I love horror. I’ve loved it since I was twelve and my friends from Boy Scouts showed me Friday the 13th for the first time. With almost a decade of experiencing the genre, I have learned that there are things more terrifying than jump scares and gore, for example, the fear of the unknown. Sure, the monster or crazed killer might be scary, but when you can’t see who- or what- is killing people, the viewer’s mind is left to fill in the blanks, projecting their own fears onto the antagonist and making it seem much scarier. Everything is more frightening when you’re in the dark, and Samuel Freeman’s Don’t Look in the Dark uses this aspect of horror to its fullest effect.