In 2025, Cherlyn Hsing-Hsin Liu, an artist, filmmaker, and writer whose work is experimental, conceptual, avant-garde, and philosophic, began working with an antique hand-cranked projector from 1909, and this experience led her to reflect on the evolution of film and experiment with the process, which included painting by hand directly on the film. She treated the film not as individual frames, but as hundreds of feet of scroll paintings that flowed before her eyes as the gears in the projector were turned by her own hand. She described the feeling as a boat sailing, or the wind singing. The title of the film is derived from an old Chinese anecdote.”Having heard the wind pass by countless times, one has finally come to realize the landscape of life, the Dao of life.”
